madelon galland
Curriculum Vitae
SOLO PROJECT:
1999-present The STUMP Project/Unauthorized Public Art, NYC. Ongoing interventions
upholstering city tree stumps, and other public gestures.
SELECTED GROUP EXHIBITIONS:
2003 Site Outside, Berrie Art Center, Ramapo College, NJ. Curated by Sydney Jenkins.
Recession 2003, Cynthia Broan Gallery, New York, NY. Curated by Tim Thyzel.
Paper 2003, Metaphor Contemporary Art, Brooklyn, NY. Curated by Rene Lynch and Julian Jackson.
2002 Art Under the Bridges Festival, D.A.C., Brooklyn, NY. Outdoor Installations curated by Joy Glidden.
The Ides of March III, ABC No Rio, NYC. Curated by Steven Englander and Scott Seabolt.
Second Sight, Hunter College/Times Square Gallery, NYC. Curated by Rob Carter, Sian Foulkes,Casey Ruble, Allyson Spellacy and Lynn Sullivan.
Panorama Project, Gallery 69a, San Francisco, CA and The Front Room, Brooklyn, NY. Curated by Roger Stevens and Jordan Isip.
What happened in Lime Mills?, Rotunda Gallery, Brooklyn, NY. Curated by Nellie Reifler
Treehouse, Metaphor Contemporary Art, Bklyn, NY. Curated by Rene Lynch and Julian Jackson.
Kartell Collaboration, Milan, Italy. Child Priority benefit exhibition & book, organized by Italian Vogue.
2001 Exquisite Day, Pulse Ultra Gallery, Bklyn., NY. Curated by Roger Stevens and Jordan Islip.
Poetic Information,Metaphor Contemp. Art, Bklyn, NY. Curated by Rene Lynch & Julian Jackson.
Estrogenius, Manhattan Theatre Source, New York, New York. Curated by Karine Fellini.
Indi-Visual, The Institute, Chinatown, New York. Curated by Lauren Moore.
In Celebration of Spring; A Show of Public Work, Delta Axis at Marshall Arts, Memphis, TN. Curated by Hamlett Dobbins.
Three Way Street, The Front Room, Williamsburg, Brooklyn. Curated by Rodger Stevens.
Flat Files, Pierogi, Williamsburg, Brooklyn. Curated by Joe Amrhein.
Night Swimming, State of Art Gallery, Greenpoint, Brooklyn. Curated by Rebecca Smith.
2000 The STUMP Project, Hunter College/Times Square Gallery, NYC. MFA Thesis Show.
The Toy Show, 4 1/2 Projects,Williamsburg, Brooklyn. Benefit.
Magnified, 4 1/2 Projects,Williamsburg, Brooklyn. Curated by Toto Feldman.
The Ides of March II, ABC No Rio, NYC. Curated by Steven Englander and Scott Seabolt.
1999 Bold, Brash and Sassy, John Deacon Memorial Gallery, Portland, OR. Curated by Brendan Coogan.
New Print Exhibition, Hunter College, Art Dept. Gallery, NYC. Curated by Vincent Longo.
Mark Ashwill Benefit, Thread Waxing Space, NYC. Organized exhibition and silent art auction.
1998 Portfolio Editions, Hunter College , Art Dept. Gallery, NYC. Curated by Vincent Longo.
A Place In It, Brooklyn Brewery, Brooklyn, NY. BWAC.
Lotsa Clay, The Clay Studio, Philadelphia, PA.
1997 Colorforms, Ferrin Gallery, Northampton, MA.
Shake and Grind, The Clay Studio and NCECA, Philadelphia and Las Vegas.
1996 Support Living Artists, Brooklyn Brewery, Brooklyn, NY. BWAC..
Design Brooklyn, Rotunda Gallery, Brooklyn, NY. Curated by Janet Ryker.
1992 Hotline, The Works Gallery, San Jose, CA.
m.g./ p.2
ARTICLES/CATALOGUES:
2002 Lance Esplund, “Learning Curves,” Modern Painters, London, pp. 98-101, Spring 2002.
The Ides of March III, 2002, ABC No Rio, NYC. Exhibition catalogue.
Second Sight, 2002. Hunter College Art Gallery, NYC. Exhibition catalogue.
Lisa Curtis, “Facing Disease...”, GO Brooklyn, The Brooklyn Papers section, Jan 28th Issue, 2002 .
2001 Eleanor Templeton, “Madelon Galland”, Venus, Chicago, IL. Issue No.10, Longish/Shortish section,pp.7-8 Aug.-Nov, 2001.
Hamlett Dobbins, “Madelon Galland”, In Celebration of Spring: A Show of Public Work, Delta Axis at Marshall Arts, Memphis, TN. March 9 - April 14th, 2001,. Exhibition catalogue.
2000 The Artist and the Polar Bear, directed by Jeff Hush:
http://www.artistandpolarbear.com/Madelon’s_art.htm
Scott Carney, “Only in New York; Upholstered Tree Stumps”, M Style, Fall 2000.
Jeanne Moos, “Making the Moost of It: Madelon Galland”, The World Today CNN, International Broadcast Sept. 21-22, 2000, and reruns.
Joanna Coles, “Sitting Pretty On a Stump”, The Times, London. Times 2 section, p.9. Sept. 11, 2000.
Dan Schneider, “Bark Is So Passé”, The New York Times, Sunday City section, p. 2. Aug. 20, 2000.
XIX Spring 2000, Hunter College, NYC. Exhibition catalog.
The Ides of March, 2000, ABC No Rio, NYC. Exhibition catalog.
AWARDS:
2000 Estelle Levy Award for achievement, presented by the Hunter College Alumni Association.
Purchase Award, presented by the Art Department at Hunter College.
1997 Merit Scholarship, Anderson Ranch, Snowmass, CO.
EDUCATION:
2000 MFA - Hunter College, New York, NY. Concentration in Sculpture and Printmaking.
1997 Anderson Ranch, Snowmass, CO. Merit Scholarship to study ceramic sculpture.
1990 BA - Sarah Lawrence College, Bronxville, NY. Concentration in Fine Art.
1987 Parsons/The New School, New York, NY.